Profile

• Knowledgeable of acoustics, psychoacoustics, studio setup and design.

• Advanced knowledge of “Pro Tools” DAW software.

• Comprehensive knowledge of “Izotope” audio repair software.

• Dependable and reliable, with excellent interpersonal communications skills.  

• A self-motivated, well organized, task-oriented problem solver.

• Finishes  projects before deadlines and exceeds quality control requirements.

LEO AWARDS

• Best Sound iEditing in a Dramatic Series (Siren, The Toll of the Sea.  2021)

• Best Overall Sound in a Feature Length Drama (Donovan’s Echo. 2012)

• Best Sound Editing in a Feature Length Drama (Donovan’s Echo. 2012)

• Best Sound Editing in a Youth Program or Series (R.L. Stine’s The Haunting Hour - A Creature Was Stirring. 2011)

• Best Overall Sound in a Short Drama (The Gray Matter. 2010)

• Best Sound Editing in a Short Drama (The Gray Matter. 2010)

• Best Overall Sound in a Feature Length Drama (Nightwatching. 2008)

• Best Sound Editing in a Feature Length Drama (Nightwatching. 2008)

• Best Sound Editing in a Feature Length Drama (Partition. 2007)

• Best Overall Sound in a Dramatic Series (The L Word - Losing The Light, 2007)

• Best Sound iEditing in a Dramatic Series (Andromeda, Totaled Recall.  2006)

• Best Sound Editing in a Feature Length Drama (It’s All Gone Pete Tong. 2005)

• Best Overall Sound in a Dramatic Series (Andromeda, Harper 2.0 2001)

• Best Sound in a Dramatic Series (Dead Man’s Gun, 1999)

• Best Sound in a Dramatic Series (Lonesome Dove, 1996)